The violin, sometimes called a fiddle, is an extremely popular woodwind instrument in the classical violin family. Most violin violins have a wood body carved out of laminated plywood covered with a thin layer of varnish or plastic. It’s the highest-pitched and therefore lowest-pitched stringed instrument in the entire family. Violinists usually play it by plucking it, using their fingernails, or tapping it lightly with the foot. Some violinists even use their fingernails to press down on the strings to create varying effect.
Violinists are usually hired by a concert orchestra. They are employed to give music for the intermissions between shows, and as a backup when the main band is not available. Violinists can also hold a private concert, usually for soloists and other instrumentalists, and soloists often hire a CSI CUNY classical violin professor to accompany them on a string instrument solo. However, for a truly individualistic violinist, there are many ways to approach hiring a violinist for a concert or recital.
The first factor that must be considered is playing technique. Violinists with natural left-handedness have to learn to play violin instrument right-handed. This is not usually a problem because most concert orchestras have musicians who can play right-handed, so most violinists end up learning how to play right-handed. Some contemporary violinists do play left-handed, but this is rarer and those who do are normally considered left-handers by their symphonies (see below).
Secondly, the style of the instrument needs to be taken into account. Fiddles and violins all share a similar design, so it is important to choose one that matches your style. Fiddles have a much larger range of notes than do violins, so you will need a good understanding of basses, tenors, and bassoons before choosing a violin. Violins also share a large range of notes, so fingerstyle and piccolo variations may be more appropriate for a beginning violinist. However, for someone who already plays percussion, the double-tongue instrument may be a better fit.
The bow shape is also an important consideration for a left-handed violinist. Most violin bows are either completely flat, slightly curved, or slightly curved. For left-handed students, it is probably best to choose an instrument with a curved bow. This provides a comfortable and natural feeling as well as increased range of notes. On the other hand, some left-handed students prefer straight bows. These provide a stronger effect and increased ease of arpeggios.
Cost is also an important factor to consider when choosing an instrument. Violinists often spend months or years learning an instrument, so budget is crucial. Classical violin and cello instruments can be very expensive, so for most beginning musicians this might be a limiting factor. Fortunately, there are other options that are less expensive, like the pizzelle or piccolo baritone. However, if your budget is particularly tight, you can also learn to play the smaller instruments such as the bass bar, double bass, and bass saxophone in a low costing way by attending a string orchestra.
Another concern for many left-handed violinists is bow pressure. They worry that lower tension will cause a fluttery affect on their release. High tension on a bass bar bowing instrument can actually increase the speed of notes, so this should not be a major concern for most performers. What’s more, you can purchase a bow with a higher minimum angle, which will reduce the need for bow pressure adjustments. Finally, many violinists are able to use standard violin bow sights to improve tracking on the lower strings.
For many violinists, playing an instrument is not just about having a pleasing sound. They have visions of their favorite musicians, and they want to emulate their styles. As you become more experienced with your violin, you may find yourself taking on additional roles, such as assisting the arranger or conducting a concert for a group. These additional responsibilities to help you develop your skills even further. After all, what good is a violin that doesn’t have any classical elements?